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<oembed><version>1.0</version><provider_name>Oggetti Specifici</provider_name><provider_url>https://www.oggettispecifici.com/en/</provider_url><title>Emma Cavigliasso | Photographic proof - Oggetti Specifici</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="O5DzvqxWUG"&gt;&lt;a href="https://www.oggettispecifici.com/en/product/emma-cavigliasso-photographic-proof/"&gt;Emma Cavigliasso | Photographic proof&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.oggettispecifici.com/en/product/emma-cavigliasso-photographic-proof/embed/#?secret=O5DzvqxWUG" width="600" height="338" title="&#x201C;Emma Cavigliasso | Photographic proof&#x201D; &#x2014; Oggetti Specifici" data-secret="O5DzvqxWUG" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.oggettispecifici.com/wp-content/uploads/2022/01/2020-08-16-17.48-2-scaled.jpg</thumbnail_url><thumbnail_width>1911</thumbnail_width><thumbnail_height>2560</thumbnail_height><description>Photographic proof  2020, Scagnello  Photographic paper  Cm 30x20cm  Unique piece, in the occasion of " A possible landscape" 20021-2022, and authenticate  &nbsp;  A POSSIBLE LANDSCAPE  What I write to you has no beginning: it&#x2019;s a continuation. (1) Something makes me stop. I observe. I decide to stop that something. It is the moment that vanishes, quick and vulnerable: thoughts constantly oscillate between what has already been and all other possible outcomes while the present moves forward. If I catch it, I can protect it, replay it; I can look at it again to see it better, understand it, or even just not forget it. It is an ordinary situation that can recur, yet it is always new: the reverberation of light on a wall, the emphasis of a colour, the shape behind a glass, geometries and movements, the irony of a composition, an enchanting presence. I stopped and collected an endless series of fragments. Together with their image, I also keep the memory of their perception and my emotional state at that moment: each shot builds a future memory, an anthology of the feelings I felt.  What I write to you has no beginning: it&#x2019;s a continuation. My photographic research began almost unconsciously in 2012, contended between the desire to record the passing of time and the terrible encounter with the immensity of memory, and led to a project that is still ongoing. &#x2018;A possible landscape&#x2019; is an open archive where the instances of ordinary moments converge, a meditation on the fragility of the present that eludes the awareness of everyday life.  (1)Clarice Lispector, &#xC1;gua viva, New Directions Publishing 2012, English translation</description></oembed>
